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821016: AMPx-E8 Series User Guide
© 2011 Wohler Technologies, Inc. All rights reserved.
51
Chapter 5 Dolby
PCM
Use the Left or Right button to scan through the list of programs
available in the selected bitstream. Multi-channel programs will allow
you to scroll through the pairs of the program to isolate individual
channels with the Balance knob or mute features. Channels that are
not enabled per Dolby specifications are not selectable. The appropriate
speaker Assign LEDs above the bar graph meters will light to indicate
which channels are selected to the left and right sides of the unit's
stereo speaker array. While a channel pair is selected in this monitoring
mode, the LCD screen will indicate the selected channel pairs by
showing the first channel (of the selected pair) in the upper left of the
LCD screen and the second channel in the upper right. When the
downmix is selected, the LCD screen will show PgN on both upper left
and right corners of the LCD screen (where N is the Dolby-assigned
program number).
Figure 5–2 Dolby E, Bitstream 1, Program 1
When Dolby Decode mode is enabled (and a valid signal is detected),
Dolby E or Dolby D will show up on the bottom right hand corner of
the LCD screen for Dolby E or Dolby Digital signals, respectively.
Dolby bitstreams can be fed into Dolby BSt1 or BSt2 (a.k.a. bitstream
inputs, labeled as Dolby E/AC3 In), or can be embedded into any
audio pair of an SDI signal present on SDI In 1 or In 2.
Up to eight program selections are available if the signal being
monitored is a Dolby E signal: PG1 through PG8; Dolby Digital allows
only one program. The number available depends on the type of signal
being monitored. See the Table 7–5: Dolby Main Output Channel
Assignments on page 73 for a full list of possible program channel
assignments for both Dolby Digital and Dolby E bitstreams. The three
types of bitstreams accepted at the Dolby inputs are Dolby E, Dolby
Digital, and PCM.
PCM
If the signal being monitored is a PCM (AES/EBU) signal, then only
one monitoring mode is available: PG1. In this mode Channel 1 is sent
PG1 BSt1 PG1
E
- AMPx-E8 Series 1
- Table of Contents 3
- What’s New 10
- Functionality Enhancements 10
- Preface 11
- Installation 13
- Important Safety Instructions 14
- FCC Compliance 15
- Unpacking 15
- Installation Recommendations 16
- Mechanical Bracing 17
- Electrical Interference 17
- System Overview 19
- Front Panel Controls 20
- LCD Screen 22
- Lock Status 23
- User Interface 24
- Menu Navigation 25
- Rear Panel Connectors 26
- Input Connectors 28
- Output Connectors 29
- Chapter 2 System Overview 30
- RS-232 Connectors 32
- Remote Connector 32
- Rotary Switches 33
- Monitoring Inputs 34
- Monitoring an Analog Input 35
- Monitoring an AES Input 35
- Monitoring an SDI Input 36
- Monitoring a Dolby Input 36
- Monitoring Dolby in SDI 36
- Channel Selection and Mixing 37
- Audio Configuration 39
- Analog Output Preference 40
- Monitoring and Mixing Modes 41
- CH1 AES1 CH2 42
- CH7 AES1 CH8 42
- Chapter 3 Audio Configuration 43
- Muting the Speakers 45
- Phase Correlation 46
- SDI Inputs 47
- Dolby Decode Mode Enabled 48
- Configuring for SDI Delay 49
- Selecting the Input Signal 50
- Configuration 51
- AES Termination 53
- Save and Exit 53
- CHAPTER 4 55
- Introduction 55
- What are Presets? 56
- Recalling a Preset 57
- Saving a Preset 58
- Overwriting a Preset 58
- Chapter 4 Presets 59
- CHAPTER 5 61
- Dolby Input Source Selection 62
- Dolby Decoding 62
- PG1 BSt1 PG1 63
- Dolby Metadata 64
- Setup Menu 67
- Accessing Setup Mode 68
- Chapter 6 Setup Menu 69
- Analog Output Preference Mode 70
- Creating a New Preset 72
- OVERWRITE PRESET 73
- Preset1: Off Air 73
- Save Old Name? 73
- Preset3: Studio 73
- Studio ?@<A>BC 74
- Name: A_ 74
- Preset Mode 75
- Erasing a Preset 75
- SDI Delay 76
- Surround Gain 77
- Bitstream Detection 78
- Phase Bits 79
- Features and 81
- Specifications 81
- Features 82
- Specification Value 84
- Technical Functional Overview 86
- Interface 87
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